Alina Kar
Artist
I wish to pay my respect to the traditional landowners throughout Australia, past and present, and the Whadjuk people of the Noongar nation, where I live and work.

Tea infused ceramic objects 2020
About
Alina is a multidisciplinary emerging artist from Western Australia who experiments with diverse and alternative media to express her artistic vision. Identity politics and diaspora are themes that have been central to her practice. These themes and motifs often reflect her own personal relationships with nature and the environment. She finds that using ceramics, however, provides her with an opportunity to create works that are both tactile and visually stimulating, and that embody a sense of nostalgia and a connection to her past. Using visual metaphors, Alina strives to express the complex nuances of home, belonging, and displacement that she has experienced. The dialogic narratives in Alina's artwork reveal specific thoughts and perspectives that speak to her life experiences. The inspiration for her work stems from her childhood memories of growing up in the foothills of the Himalayas and then migrating to the Goldfields of Western Australia. A growing interest in cultural similarities and shared experiences is apparent in her work. In an increasingly fragmented world, the artworks encourage dialogue about human interconnectedness through combining and engaging diverse materials and processes. For example, she has soaked ceramic objects in tea, drawing on her memories of the verdant tea gardens of India. She has combined iconic Australian eucalyptus with West Australian sandalwood in a traditional Indian art form called alpona. Alina believes that her art speaks to the complexity of mixed emotions felt by a growing sector of the world population in an age of rapid globalization, displacement, and migration. She believes that through an act of sharing, there is potential to strengthen human bonds. Her portfolio also features portraiture, painting, and poetry, which are skills that Alina continues to hone. Her artworks convey an emotional vulnerability that she can only express through art.

Landscapes of Memory
Installation Art
Merge
A combination of Western Australian Sandalwood constitutes the ephemeral drawing on the floor. In this composition, alpona, an Indian art form, merges with native eucalyptus and sandalwood, but hints of the alpona emerge through the sandalwood. I mapped ceramic pieces tied with red and gold strings over an ephemeral sandalwood drawing to suggest interconnectivity.

Ground West Australian Sandalwood


Horizon to Horizon 2
Horizon to Horizon 2 depicts shifting landscapes and a convergence of cultures. The artwork is based on a postcolonial understanding of universality and difference. It symbolizes strife, culminating in convergence by linking tea–soaked ceramic objects with a red string to bridge cultural divides. The narrative is an individual story relating to a larger experience. It insists upon my experience of the ‘third world’ that can find a place within the ‘first world’ and be communicated within a single narrative form.

Dialogue
Cullity Gallery UWA 2022
Ceramics and Sculpture


Investigating the Female Form
My interpretation of the female body is not solely based on anatomy. It can be interpreted in a variety of ways. By challenging traditional interpretations of the female form, I hope to bring a fresh perspective to the way we view our bodies and our place in the world. To challenge the paradigms of our relationship with our bodies, I have focused on presenting the female form in a semi-abstract manner. In one of my sculptures, I have created an upward movement, which suggests new possibilities, enabling new hopes and dreams.



Abyss
A modern man's understanding of the catastrophic consequences of contemporary society isolates him from society, according to Carl Jung. Jung's quote is exemplified in this artwork. My loneliness isolates me and prevents me from identifying with myself. My sense of disconnection from myself is symbolized by the void. Jung may have experienced the same sense of disconnection that the void suggests, emphasizing the pervasive nature of these feelings today.
Ceramic and Craft

Growing up in the foothills of the Himalayas has given me a deeper appreciation of nature and the importance of preserving it. My research on this topic has sparked an interest in ecofeminism. My ceramic sculptures incorporate craft as a metaphorical expression of the feminine spirit. Rather than exact representations of natural organic forms, I strive to create ceramic sculptures that suggest the subtlety of organic forms. The goal of my interpretation is to evoke a sense of wonder and beauty in the viewer and bring the fragility of our environment to light. We are the microcosms within the macrocosms of the earth.
" We are going to have a future where women lead the way to make peace with the Earth, or we are not going to have a human future at all." - Vandana Shiva.
Drawing and Portraiture
Paintings
POETRY
Silence
I'm afraid to speak
Lest I say too little or too much
I'd rather we remain in an ambiguous landscape
You, in your world,
And I in mine
Let us not disturb the profound mindset
Our sound breaths carry
There is an ambivalence there
After all, that is how the world began
In brief hours of eternity,
Neutrally conceived
and in silence.
What is happiness?
A fragment of desire to love
That exits the mortal wounds
And seizes the small joys
Of the phenomenal worlds
An ageless plethora
A beauty
A song
That springs to the heart!
Parting
I pray my love
Don't try to comfort me
I don't want you to ease the pain
Let this parting remain in subdued terms
And let me rejoice in my well of tears.
Let me bathe in the abrupt solitude,
In the treasure chest
My memory holds of us.
Permit this parting to evoke in me
A subtle creative stir
In a whisper.

The Sea Has Left The shore
The sea has left the shore again
the waters calm and still,
the shore is but a vacant mate
for the sea that shells in sleep.
Beneath the chilly jaded lies,
a pulse that beats within,
for gales have flown
and bade adieu
to the sea and all its frills.
So come thy winds
do come again,
unruffle this heart at sea
let waves allure
the solitude,
the love of sand and sea.
Bio
Bachelor of Arts (Fine Arts Major) University of Western Australia (present)
Advanced Diploma of Visual Arts
North Metropolitan TAFE
Awards
Highly Commended Award, Inland Art Prize 2021
Nominated for Hatched 2021
Selected for Shine Exhibition 2021
Oxlade's Materiality Award 2020
Contributions
The Journal of Australian Ceramics, Volume 60 No 2
Acquisitions
North Metro Tafe & Private Collections
Exhibitions
2023
Stirling Art Awards - finalist
City of Stirling
Glorious Mud/Evolution
South of River members' selective exhibition
Atwell House/Gallery
Members' selective exhibition
Ceramic Art Association of Western Australia
Moores Gallery Fremantle
Melville Open Studios
Atwell House/Gallery
2022
Glorious Mud
South of River Potters Members Selective Exhibition
Atwell Gallery
Threshold Group exhibition
Nyisztor Studio
Mandurah 9x5
Mandurah Performing Arts Center
Winter Collective Exhibition, University of Western Australia
2021
Inland Art Prize Leonora
Shine
Gallery Central
2020
REBOUND
Advanced Diploma Graduate Exhibition
Gallery Central NMT
2019
Possibilities
Slipstream
Embodied
Contact
@alinakar_artistik

"The main thing is to be moved, to love, to hope, to tremble, to live." - Auguste Rodin.

Acrylic on board

Acrylic on board

Watercolour and text

Mixed media drawing/painting

Abstract watercolour painting


Alina Kar
Visual Artist
Perth, Western Australia



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