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Alina Kar
 Artist


I wish to pay my respect to the traditional landowners throughout Australia, past and present, and the Whadjuk people of the Noongar nation, where I live and work.

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Tea infused ceramic objects 2020

About

Alina is a multidisciplinary emerging artist from Western Australia who experiments with diverse and alternative media to express her artistic vision. Identity politics and diaspora are themes that have been central to her practice. These themes and motifs often reflect her own personal relationships with nature and the environment. She finds that using ceramics, however, provides her with an opportunity to create works that are both tactile and visually stimulating, and that embody a sense of nostalgia and a connection to her past. Using visual metaphors, Alina strives to express the complex nuances of home, belonging, and displacement that she has experienced. The dialogic narratives in Alina's artwork reveal specific thoughts and perspectives that speak to her life experiences. The inspiration for her work stems from her childhood memories of growing up in the foothills of the Himalayas and then migrating to the Goldfields of Western Australia. A growing interest in cultural similarities and shared experiences is apparent in her work. In an increasingly fragmented world, the artworks encourage dialogue about human interconnectedness through combining and engaging diverse materials and processes. For example, she has soaked ceramic objects in tea, drawing on her memories of the verdant tea gardens of India. She has combined iconic Australian eucalyptus with West Australian sandalwood in a traditional Indian art form called alpona. Alina believes that her art speaks to the complexity of mixed emotions felt by a growing sector of the world population in an age of rapid globalization, displacement, and migration. She believes that through an act of sharing, there is potential to strengthen human bonds. Her portfolio also features portraiture, painting, and poetry, which are skills that Alina continues to hone. Her artworks convey an emotional vulnerability that she can only express through art.

                   Landscapes of Memory

                      Installation Art

Merge

A combination of Western Australian Sandalwood constitutes the ephemeral drawing on the floor. In this composition, alpona, an Indian art form, merges with native eucalyptus and sandalwood, but hints of the alpona emerge through the sandalwood. I mapped ceramic pieces tied with red and gold strings over an ephemeral sandalwood drawing to suggest interconnectivity.
 

Ground West Australian Sandalwood

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                                                        Horizon to Horizon 2

Horizon to Horizon 2 depicts shifting landscapes and a convergence of cultures. The artwork is based on a postcolonial understanding of universality and difference. It symbolizes strife, culminating in convergence by linking tea–soaked ceramic objects with a red string to bridge cultural divides. The narrative is an individual story relating to a larger experience. It insists upon my experience of the ‘third world’ that can find a place within the ‘first world’ and be communicated within a single narrative form.

ART2040-Alina Kar - Dialogue - Instagram

             Dialogue

Cullity Gallery UWA 2022

Ceramics and Sculpture

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 Investigating the Female Form

My interpretation of the female body is not solely based on anatomy. It can be interpreted in a variety of ways. By challenging traditional interpretations of the female form, I hope to bring a fresh perspective to the way we view our bodies and our place in the world. To challenge the paradigms of our relationship with our bodies, I have focused on presenting the female form in a semi-abstract manner. In one of my sculptures, I have created an upward movement, which suggests new possibilities, enabling new hopes and dreams.

Abyss

    A modern man's understanding of the catastrophic consequences of contemporary society isolates him from society, according to Carl Jung. Jung's quote is exemplified in this artwork. My loneliness isolates me and prevents me from identifying with myself. My sense of disconnection from myself is symbolized by the void. Jung may have experienced the same sense of disconnection that the void suggests, emphasizing the pervasive nature of these feelings today.                                                        

Ceramic and Craft

Growing up in the foothills of the Himalayas has given me a deeper appreciation of nature and the importance of preserving it. My research on this topic has sparked an interest in ecofeminism. My ceramic sculptures incorporate craft as a metaphorical expression of the feminine spirit. Rather than exact representations of natural organic forms, I strive to create ceramic sculptures that suggest the subtlety of organic forms. The goal of my interpretation is to evoke a sense of wonder and beauty in the viewer and bring the fragility of our environment to light. We are the microcosms within the macrocosms of the earth.

" We are going to have a future where women lead the way to make peace with the Earth, or we are not going to have a human future at all." - Vandana Shiva.


Drawing and Portraiture

Paintings

POETRY

Silence

I'm afraid to speak

Lest I say too little or too much

I'd rather we remain in an ambiguous landscape

You, in your world,

And I in mine

Let us not disturb the profound mindset

Our sound breaths carry

There is an ambivalence there

After all, that is how the world began 

In brief hours of eternity,

Neutrally conceived

and in silence.

 

What is happiness?

 

A fragment of desire to love

That exits the mortal wounds

And seizes the small joys

Of the phenomenal worlds

An ageless plethora

A beauty

A song

That springs to the heart!

Parting

 

I pray my love

Don't try to comfort me

I don't want you to ease the pain

Let this parting remain in subdued terms 

And let me rejoice in my well of tears.

Let me bathe in the abrupt solitude,

In the treasure chest

My memory holds of us.

Permit this parting to evoke in me

A subtle creative stir

In a whisper.

The Sea has Left the Shore - Alina Kar
00:00 / 00:58
Abstract sculpture of the conch

The Sea Has Left The shore

The sea has left the shore again

the waters calm and still,

the shore is but a vacant mate

for the sea that shells in sleep.

Beneath the chilly jaded lies,

a pulse that beats within,

for gales have flown 

and bade adieu

to the sea and all its frills.

So come thy winds

do come again,

unruffle this heart at sea

let waves allure

the solitude,

the love of sand and sea.

Bio

Bachelor of Arts (Fine Arts Major) University of Western Australia (present)

 

Advanced Diploma of Visual Arts

     North Metropolitan TAFE

Awards

Highly Commended Award, Inland Art Prize 2021

Nominated for Hatched 2021

Selected for Shine Exhibition 2021 

Oxlade's Materiality Award 2020

Contributions

The Journal of Australian Ceramics, Volume 60 No 2

Acquisitions

North Metro Tafe & Private Collections

 Exhibitions

2023

Stirling Art Awards - finalist

City of Stirling

Glorious Mud/Evolution

South of River members' selective exhibition

Atwell House/Gallery

Members' selective exhibition

Ceramic Art Association of Western Australia

Moores Gallery Fremantle

Melville Open Studios

Atwell House/Gallery

2022

Glorious Mud

South of River Potters Members Selective Exhibition

Atwell Gallery

Threshold Group exhibition

Nyisztor Studio

Mandurah 9x5

Mandurah Performing Arts Center

Winter Collective Exhibition, University of Western Australia

2021

Inland Art Prize Leonora

Shine

Gallery Central

2020

 

REBOUND

Advanced Diploma Graduate Exhibition

Gallery Central NMT

2019

Possibilities

Slipstream

Embodied

Contact

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@alinakar_artistik

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"The main thing is to be moved, to love, to hope, to tremble, to live." - Auguste Rodin.

Acrylic on board

Acrylic on board

Watercolour and text

Mixed media drawing/painting

Abstract watercolour painting

Alina Kar

Visual Artist

Perth, Western Australia

Old Paper
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